Art has always been a medium to convey complex subjects and address challenges we face. For many of us, the term “climate data” conjures up images of complicated graphs and charts, but artists are explaining it through a new lens. Today, on World Environment Day, the United Nations Framework Convention on Climate Change (UNFCCC) and the Google Arts & Culture Lab residency program announce Heartbeat of the Earth, a series of experimental artworks inspired by climate data.
Five artists—Fabian Oefner, Cristina Tarquini, Laurie Frick, Pekka Niittyvirta, Timo Aho—used key findings from a landmark UN report and data from scientific institutions, including the National Oceanic and Atmospheric Administration (NOAA) and the World Meteorological Organization, to create four interactive pieces of art about our climate. They’ve addressed the topics of declining ocean life, food consumption, melting glaciers and rising sea levels.
Digital visual artist Cristina Tarquini invites you to dive into our acidifying oceans using data from NOAA. Witness the effects of rising CO2 levels on our ocean: coral bleaching, fish disappearing, shells dissolving, jellyfish populations booming and garbage overpopulating the sea.
What We Eat
Have you ever wondered about the carbon footprint of your food? One-fourth of global climate change is caused by food production—that’s even more than the damage caused by transportation—so data artist Laurie Frick has created “What We Eat.” The work examines the impact of individual foods on the environment using hand-drawn data visualisations, color coded and sized by CO2 output.
Discover the predicted sea level rise—and the number of people likely to be displaced—in more than 200 different locations between the years 2000 and 2300. Timo Aho & Pekka Niittyvirta’s “Coastline Paradox” experiment, uses a map of the world and Google Street View to visualize the current and predicted global sea level rise.
The experimental photographer Fabian Oefner visualizes the shocking retreat of the Rhone and Trift glaciers in Switzerland over the last 140 years. In “Timelines,” Fabian traces their retreat for each year using digital coordinates by GLAMOS, a drone equipped with powerful LED lights, and long-exposure imagery of the drone’s flightpath.